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2019.11.04 身體/身心/自我:體現與身心藝術的研究

[北藝大博班實驗室 2019 系列講座 II] 邁向未知之境—————————————————————————————————————————

身體/身心/自我:體現與身心藝術的研究


〖 Body/Soma/Self - Embodiment and Somatic Arts Research 〗

講者: Thomas Kampe | 巴斯思巴大學,身心表演與教育教授

時間:2019年11月4日(一) 13:30-16:30

地點:學生活動中心四樓B401教室 (由藝大書店前樓梯上樓)


*本場次為英文演講。

This talk will be in English. Further information please see below.

Thomas Kampe博士曾在全球擔任表演藝術家、研究者與身心教育家。他從1988年開始實踐並教授接觸即興。他在英國巴斯思巴大學擔任身心表演與教育的教授,並共同執導「創造性身體論研究群」。他的研究關注批判性身心藝術的遺產與教學法。Thomas於國際費登奎斯協會2019年的第六期研究期刊「自由的實踐:費登奎斯方法與創造性」擔任客席編輯。從2015年開始,他主導國際論壇「表演復/存」(2015);「危殆的劇場、青年、創傷與歐洲」(2016);「解開身體:身心表演文化與行動主義作為批判性實踐」 (2016);「超越遺忘1938 - 2018:迫害/流放/記憶」(2018)。他目前正與Kai Ehrhardt共同執導2019年柏林身體智慧節。他是費登奎斯方法®的合格老師並以此為基礎發展他的教學、研究與藝術實踐。


│關鍵詞│


體現的知識、身心藝術研究、費登奎斯方法、自我反思的實踐、突現性質


│講者│


Thomas Kampe博士曾在全球擔任表演藝術家、研究者與身心教育家。他從1988年開始實踐並教授接觸即興。他在英國巴斯思巴大學擔任身心表演與教育的教授,並共同執導「創造性身體論研究群」。他的研究關注批判性身心藝術的遺產與教學法。Thomas於國際費登奎斯協會2019年的第六期研究期刊「自由的實踐:費登奎斯方法與創造性」擔任客席編輯。從2015年開始,他主導國際論壇「表演復/存」(2015);「危殆的劇場、青年、創傷與歐洲」(2016);「解開身體:身心表演文化與行動主義作為批判性實踐」 (2016);「超越遺忘1938 - 2018:迫害/流放/記憶」(2018)。他目前正與Kai Ehrhardt共同執導2019年柏林身體智慧節。他是費登奎斯方法®的合格老師並以此為基礎發展他的教學、研究與藝術實踐。


│建議閱讀文獻│


Thomas Kampe, Body-Soma-Self: Re-embodying Dance Research

https://nivel.teak.fi/adie/body-soma-self/

Artiest Doctorate in Europe: Researching (in/as) Motion

https://nivel.teak.fi/adie/

Thomas Kampe, Practices of Freedom – The Feldenkrais Method & Creativity, IFF research Journal Vol 6.

https://feldenkraisresearchjournal.org/index.php/journal/article/view/28

Thomas Kampe, Eros and Inquiry: The Feldenkrais Method as a Complex Resource, TDPT Vol.6 2005

https://www.tandfonline.com/doi/full/10.1080/19443927.2015.1027451

Thomas Kampe, Crossing/Weaving: Somaitc Interventions in choreographic practices IFF research Journal Vol 5.

http://iffresearchjournal.org/volume/5/kampe

Brad Haseman, A Manifesto for Performative Research

https://journals.sagepub.com/doi/abs/10.117系謝7/1329878X0611800113

Hazel Smith and Roger T. Dean (edit), Practice-led Research, Research-led Practice in the Creative Arts

https://www.jstor.org/stable/10.3366/j.ctt1g0b594

Barbara Bolt, A Performative Paradigm for the Creative Arts?

https://www.herts.ac.uk/__data/assets/pdf_file/0015/12417/WPIAAD_vol5_bolt.pdf


│Thomas 教授來台系列活動│

11.3 (日) 14:00 - 17:00 國際愛跳舞即興節@新北投71園區

工作坊「費登奎斯方法:輕盈地行走」

11.4 (一) 10:30 - 12:30 臺北藝術大學舞蹈系@Studio 7

工作坊 「選擇的藝術:費登奎斯方法與舞蹈即興」

11.5 (二) & 11.6 (三) 10:00 - 13:00國際愛跳舞即興節@新北投71園區

工作坊「敞開的舞蹈:費登奎斯方法與接觸即興」

11.5 (二) 15:30 - 17:30臺北藝術大學舞蹈系@D209

講座「跨越/交織:身心舞蹈的研究」

│ 系列活動相關連結 │

國際愛跳舞即興節2019工作坊報名連結

https://idancetaipei.tw/zh/events


*11月4日「身體/身心/自我:體現與身心藝術的研究」與11月5日「跨越/交織:身心舞蹈的研究」兩場公開講座無須報名,歡迎自由參加。


This talk discusses possibilities and questions of critical somatic arts research from a practitioner perspective. Are somatic practices not already inquiry based, offer action/reflection cycles that can aid self-reflective practice, and aim to examine existing patterns in order to explore yet unknown emerging ways of interacting with the world? How do we unfold the workings of distinct somatic practices and articulate them as methods within our practice-led research?

The speaker debates questions, processes and problems concerning his research towards the integration of somatic processes within performance- making and training contexts. He as well gives insight into issues arising from the application of Feldenkrais Method®, a key twentieth century somatic modality, as preparatory, enactive tuning and emancipatory ethical process within performing arts research.



│Key Words│

Embodied Knowledge, Somatic Arts Research, the Feldenkrais Method, Self-reflective Practice, Emerging Properties


│Speaker│

Thomas Kampe (PhD) has worked as a performing artist, researcher and somatic educator across the globe. He has taught and practices Contact Improvisation since 1988. He works as Professor of Somatic Performance and Education at Bath Spa University, UK, where he co-directs the Creative Corporealities Research Group. Collaborations include work with Liz Aggiss, Carol Brown, Hilde Holger, Rosemary Lee, Julia Pascal, Tanzinitiative Hamburg and Somatische Akademie Berlin. His research focuses on critical somatic arts legacies and pedagogies. Thomas is guest editor the IFF Research Journal Vol. 6 (2019): Practices of Freedom: The Feldenkrais Method and Creativity. Since 2015 direction of international symposia: (re)storing performance (2015); Theatre, youth, trauma and Europe in crisis (2016); Bodily Undoing –Somatic Performance Cultures and Activisms as critical practice (2016); Beyond Forgetting 1938-2018: persecution/exile/ memory (2018). He currently co-directs the international Body IQ Berlin Festival 2019 with Kai Ehrhardt. He is a qualified teacher of the Feldenkrais Method ® which forms a foundation for his teaching, research and his artistic practice.



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“The work of an intellectual is not to mould the political will of others; it is, through the analyses that he does in his own field, to re-examine evidence and assumptions, to shake up habitual ways of working and thinking, to dissipate conventional familiarities, to re-evaluate rules and institutions and to participate in the formation of a political will (where he has his role as citizen to play).” 
― Michel Foucault